1969-1971

Patron Alvin Glasky sat in the Stardust hotel-casino’s showroom in Las Vegas, Nevada, watching Lido de Paris on a Saturday evening in 1969. As one of the topless showgirls was being lowered from the ceiling over the crowd, she fell off the platform and landed on him.

Two years later, Glasky filed a lawsuit, seeking $403,700 (about $2.5 million today) in damages for internal and external injuries caused by “a falling nude” (Desert Sun, April 1, 1971).

The outcome of the suit is unknown.

1934-1938

While doing time at Alcatraz, Alphonse “Scarface” Capone, infamous Chicago organized crime boss heavily involved in gambling, played the banjo and mandola (a large mandolin) in the prison band, The Rock Islanders, a rotating group of musicians who performed for the other inmates every Sunday. He also composed music. 

A few wax versions of banjo-strumming Capone in his cell on The Rock are on display at Madame Tussauds in San Francisco, California.

Photo from freeimages.com: by Dave Gilligan

Vivian Blaine in Guys and Dolls in New York, 1953

1955

At least 10 hotel-casinos on the Las Vegas Strip offered entertainment, typically marquee names like Liberace and Mario Lanza, who’d played Sin City time and again.

The Royal Nevada, though, changed it up with a first. They put on the musical, Guys and Dolls, featuring a number of the original Broadway cast members, including Vivian Blaine.

The estimated weekly cost was $55,000 (about $495,000 today), roughly $5,000 more than the weekly salaries of some in-demand stars.

Photo from Jerome Robbins Dance Division, The New York Public Library Digital Collections: “Guys and dolls,” 1953

1941

Nevada casinos are known for their big-name entertainment, and it all started in the city of Elko.

In spring 1941, Newton Crumley, the owner of the Commercial Hotel and its Monte Carlo Casino, engaged Ted Lewis, bandleader / singer / entertainer / popular radio star, to perform there for a week for $12,000 (about $196,000 today). Other stars who followed included Sophie Tucker, Lawrence Welk, Chico Marx, The Andrews Sisters and Paul Whiteman.

Photo from The New York Public Library Digital Collections, Billy Rose Theatre Division: Ted Lewis Act

1969

Elvis Presley was one of the first headliners at the International Hotel in Las Vegas, Nevada.

His performances began a record-breaking run of 837 sold-out shows at the spot over the ensuing seven years. In his first month at the hotel-casino, Presley gave 58 concerts.

The venue booked him for two months a year and paid him a $1 million annual salary.

1950s Las Vegas Showgirl

1958-1961

The debut of topless showgirls in Las Vegas roused disapproval — not surprising given it occurred early in the “Leave it to Beaver” era.

The Stardust was the first to abandon bras and tops, doing so when it unveiled a show featuring the Bluebell Girls for the hotel-casino’s 1958 grand opening on The Strip. Other casinos soon followed suit, leading to an outcry from a Nevada-based Catholic Bishop, Robert J. Dwyer.

Dwyer condemned such shows as “filth,” a “flouting of morality” and a threat to “the public decency of our commonwealth.” Via letter, he clarified to all Nevada priests that no Catholic, resident or tourist, “is permitted to be a spectator of such entertainment” as doing so constituted a sin and “there is no vacation from the Ten Commandments” (Reno Evening Gazette, July 6, 1961).

In response to this flak, some properties, like the Dunes, vowed to continue their risqué shows because the public enjoyed them whereas others, such as the El Rancho Vegas, instructed their performers to cover up.

Later that year, two Nevada senators introduced what became known as “the bare bosom bill,” which would ban casino acts involving nudity. The state legislature killed it.

Migration North

This quelled the issue until about three years later, when two Reno hotel-casinos boarded the bandwagon, putting on shows featuring partially clothed women — the Riverside’s “Le Crazy Horse Revue” and the Golden Hotel’s “Playmates of Paris.”

Dwyer reiterated his views.

“If nothing is done to correct the situation, the state may well find itself in the position of a moral leper, and leprosy demands drastic treatment,” he said (Reno Evening Gazette, July 6, 1961).

The newly formed Nevada Gaming Commission, in its first meeting, in 1961, raised the controversial subject. The members doubted gambling regulation extended to showgirls’ exposed breasts so they referred the matter to Nevada Attorney General Roger Foley.

Foley volleyed back with an opinion the commissioners likely didn’t want to hear, that the agency holds the power to ban casino shows involving nudity. Governor Grant Sawyer approved of Foley’s determination. For whatever reasons, though, decades of commissioners since have let bare bosoms be.

Sources

1958

Sixteen glamazon, primarily English dancers from Paris’ Lido Club troupe were imported to open Las Vegas’ Stardust hotel-casino. The Bluebell Girls’ show broke all attendance records; about 1,400 people left the gaming tables and bars each night to see it.

“The celebrated dancers have been hailed as one of the most popular imports from the British Isles, since Scotch whisky,” noted the Bakersfield Californian (July 11, 1959).

Photo from the University of Nevada, Las Vegas University Libraries’ Digital Collection: “Bluebell Girls Poolside at the Stardust”

1976

Natalie Cole made her Nevada performance debut at the Las Vegas Hilton hotel-casino (formerly the International Hotel) on a double bill with Bill Cosby in April.

A dancing waters routine at the new Royal Nevada hotel-casino upstaged big-money entertainers — Carmen Miranda, Danny Thomas, Liberace and others — in Las Vegas, Nevada.

The five fountains of colored water (30 tons of it) frolicked to waltzes and mambos played by an orchestra. Hans Hasslach, who introduced the attraction to the U.S. in 1953, operated the $250,000 ($2.2 million today) array of pipes of various designs via a console containing 400 attached buttons. He had 20 distinct water designs to work with, which he could mix in many ways.

Dennis Day

1951

The Irish tenor, Dennis Day, was about to begin a singing engagement at downtown Reno’s Riverside hotel in the summer of 1951. Day is known for his appearances on the Jack Benny comedy show and his own television show, A Day in the Life of Dennis Day.

To promote his performances, he participated in a photo shoot for local media. Dashing in a suit and tie, he creatively posed for the cameras, sometimes with beautiful women, others without, but always beside a red wheelbarrow allegedly filled with 25,000 silver dollars, said to be his salary for the two-week gig.

About 30 minutes into the shoot, Day suddenly upended the wheelbarrow and poured its contents into the hotel’s swimming pool. As the silver dollars cascaded through the green water to the bottom, casino manager Myrton “Mert” Wertheimer and hotel manager Arthur Allen sprinted over to Day.  

“What do you think you’re fooling with—hay?” yelled an outraged Wertheimer.

“It’s supposed to be my money. I’ve been kept waiting an hour for this deal, and I have an appointment with a doctor. My throat is sore,” Day said then quickly retreated.

Within minutes, Wertheimer had people diving for and recovering the coins from the pool for fear they’d rust.

“Proof that Day’s action wasn’t in the script was furnished by the photographers themselves, who were so flabbergasted, they didn’t catch a picture of the silver sliding into the briny,” wrote reporter John Burns (Nevada State Journal, July 18, 1951).

It wasn’t until much later that Wertheimer and Allen saw the humor in Day’s stunt. Though they probably wanted to, they didn’t fire Day, who likely received his pay in the form of a check.

Sources